Anyway, through my study of music, I have found that each key that can be used in a key signature has a nature to it (and maybe feelings too) that warrants a certain key more suitable to convey a certain setting or situation than other keys. Here are some examples of what I mean. Please note I am referring to mostly the major keys and some of the minor keys, but not any other keys (like G Lydian). I will start with C and proceed through the circle of fifths.
- C: This key is more of a plain key and generic
- C#/Db: can be somewhat calm
- D: solemn, but can also be sweet
- D#/Eb: sweet
- E: another solemn key
- F: dreamy, and also good for a march
- G: glorious (in a way)
- G#/Ab: a mix of plain and strong
- A: solemn, could also be good for big bass sound??
- A#/Bb: majestic, good for a march
- B: fast moving??
- A: sad and sorrowful
- A#/Bb: cool, good for jazz
- B: ?
- C: mysterious
- C#/Db: ?
- D: sorrowful or scary
- D#/Eb: cool, also good for jazz
- E: cool, good for jazz
- F: scary
- F#/Gb: ?
- G: Medieval
- G#/Ab: ?
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